Obiage Collection: 14

I don't have a ton of obiage, but I thought I would share. I seem to wear yukata more often than not and often wear komon without obiage, so maybe that's why I'm lacking!
Right now I'm trying to collect more rinzu and chirimen rather than shibori since shibori is usually more formal and associated with younger styles. I'd also love to find a few obiage with large patterns but those are sometimes difficult to find. I need a couple more ro (silk gauze worn only with summer kimono) obiage as well. I have one and it works with both of my summer kimono but it would be nice to find some other colors, so I'm looking for teal or turquoise, yellow, or blue violet. These are all impossible colors to find in ro but maybe someday!

My one ro obiage

Rinzu a type of silk damask. I use the  light yellow and cream colors the most.

Six shibori, a type of resist-dyed silk with a bubbly, crinkly texture. I use the magenta one in the center the most. It's almost flat, so it's not quite as formal and the color is electric!

Chirimen, a crepe-like silk fabric with a distinctive texture. The eggplant/beige one is actually slightly more blue in real life.

Article: Twilight for the Kimono

I found this article a couple of days ago while I was searching for something else online. It's from 2006, so I was surprised it's still up. It mentions Yasujiro Yamaguchi, a master weaver of Nishijin and how traditional kimono weaving is a dying art form.
Here is a also a video of  Yasujiro Yamaguchi.
Enjoy,
Reb

Obijime Collection: 30

I don't really need to buy too many more obijime. However, looking at them in the drawer made me realize I should post photos of them. There are still some colors I'm missing and I'd like to have more summer weaves.Then again, with accessories, you really can't have too many!

First up in the above photo, anticipating the season with open-weave obijime for summer. From top to bottom, lime green, deep red, white with fuchsia accents, and yellow and white woven together in a triangle pattern make up this set.

The neutral or almost-neutral group. The one on the far left is rust and beige and wider than most and a heavy weave. To the right of it is cream wrapped with small sections of bronze and deep red, cream with small wrapped stripes of  leafy green, half palest pink and half silver-white, black and white yabane with pale pink on the back, a flat-weave cream, and solid black.

From left to right: elegant graduated gold flat weave, salmon and creamy yellow with a bead and multicolored tassels, solid pale yellow, cream and red stripes, intense orange, and formal scarlet red with tiny flecks of gold thread. The bright orange one still has the paper slip around it, indicated I have not worn it since I bought it last summer!

 From left to right: festive deep violet and white with a subtle metallic thread woven in (new from Ichiroya), lavender and pink with sakura blossoms, medium pink with a teal stripe, solid hot pink, multicolored stripe with magenta, and my favorite wide obijime in magenta and black with a modern design.

From left: two cream and green (the far left one is a "new" vintage- I just bought it in LA), turquoise with flecks of silver thread, shades of blue woven in a diamond pattern, wrapped style in navy and faint red stripes on beige, and more stripes in navy and white. The teal obijime in the center is very short, so it's probably for a child. It has wonderful tassels though!

Which ones do I wear the most? Mainly the classic colors, like cream, scarlet, light yellow, blue and white with an occasional hot pink and summer obijime thrown in for good measure.
~Reb

Red-hot Matsuri weekend: Sunday was kimono day

The temperature on Sunday was similar to Saturday but a little breezier. I didn't have to play taiko, so I was able to avoid sweating too much if I stayed in the shade. I carried a pink bangasa (paper umbrella) for a while but got tired of having to open and close it to avoid hitting people in the head in the crowds. Since the weather was so summery, I chose to wear a very lightweight hitoe (unlined) wool or wool-blend vintage kimono in cream with touches of pale yellow, caramel, on a deep periwinkle background. It does have 26.5" long sleeves, so it's definitely a vintage piece.
The multi-season pattern featured sakura prominently, which seemed appropriate since this was the Cherry-blossom Centennial Matsuri celebration.


I also wore my new purple embroidered zori, an olive-brown chuya obi featuring thistles in cream and violet, a light gold obijime, and finally a really cute grosgrain ribbon handbag by Jordan-McMillan that I bought years ago. I couldn't find the handbag I wanted to use but realized colors in this bag are perfect with the obi. I didn't use an obiage since I tied the obi in a bunko style, so functionally I didn't need it and didn't want the extra fabric because of the heat. The chuya obi is really soft and floppy, so it's difficult to tie into a different musubi anyway.





















I managed to beat the heat somehow and was pretty comfortable probably because I dressed in a slightly looser style and didn't wear a hadajuban, just a juban and susoyoke underneath. Removing that one extra layer on top seemed to help. Lace tabi would have been nice though, as well as a mesh obi ita!

If I ever receive any better photos of myself from friends, I'll certainly post them!
~Reb


UPDATE:
Here are a couple pics taken by DVH of Odaiko Sonora. My friend Emma is wearing her gorgeous tea green yukata and had borrowed my dark red hakata obi since she had forgotten her obi. She was performing "Hana Hachijo" later and she wanted me to dress her. You can see my juban peaking out...it's red with white dots so it looks pink form a distance. I eventually would like a pale yellow juban for this kimono; I think it would be a better color combination.